About ACVL
ACVL Member Directory
Officers & Directors
ACVL Spring Conference
Guide to Film Laboratory Procedures
Working with your ACVL Laboratory
Film Laboratory Services
ACVL Recommended Film Practices
Release Prints
Sound
Slide Duplicates & Filmstrips
Storage
Glossary of Video Terms & Definitions
World Television Standards
Business Practices
Film Industry Calendar
Film Resources
Information About Digital Intermediates
Film Laboratory Home
   
 
 

 
Head>Industry Custom
Industry Custom
Limitation of Laboratory Liability
Laboratory Warranty
Customer's Liability
Storage of Customer's Material
 
In 1956, Ampex developed the first commercial black and white videotape recorders that quickly displaced kinescope recordings as a broadcast delay medium. The first videotape recorder used two-inch wide tape in lengths up to 90 minutes. Color television was first broadcast live in 1954, but it wasn’t until about 1958 that color videotape was developed using a technique called low band heterodyne recording. Although quite impressive at the time, low band videotape color recordings did not lend themselves to duplication with any degree of quality. Even second generation copies exhibited a noticeable loss of resolution and displayed relatively high levels of color noise and distortion. The analog time base corrector made direct color recording possible, but it was not until 1965 that a new generation of high band color videotape recorders was introduced, which further improved chroma quality.

 

 

 

 


© 2000-2007 Association of Cinema & Video Laboratories. All Rights Reserved.